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h

Posted: Thu Sep 05, 2019 2:38 am
by yonosoy
Hi, it's time to start.
More than a work in progress, less than finished art, all kinds of disciplines ... will fit here.

Body (I).
The metaphysical body of God. Three concentric spheres (gold, diamond, crystal (Christ)) inscribed in a tetrahedron (water vapor).
Cuerpo_(I).jpg
Vespertine.
Vespertino.jpg
Subtle photographic grain.

Re: h

Posted: Sat Sep 07, 2019 10:47 am
by yonosoy
Ulysses had to fight against the harpies. An F 18 fighter would have been more appropriate.
Only exploring lenses...

777, harpies.

Re: h

Posted: Sat Sep 07, 2019 10:47 pm
by yonosoy
In a few days I will present you written documentation ...

Human-module relationship.
módulo.jpg
EDIT: Real relantionship (now is a house...).
módulo_2.jpg
Sorry.

Re: h

Posted: Sat Sep 07, 2019 11:21 pm
by yonosoy
A remastered one for context.

Oceanic domains.

Re: h

Posted: Sun Sep 08, 2019 10:03 pm
by fused
yonosoy wrote:
Sat Sep 07, 2019 10:47 am
Ulysses had to fight against the harpies. An F 18 fighter would have been more appropriate.
Only exploring lenses...

777, harpies.
:idea:

Re: h

Posted: Wed Sep 18, 2019 5:40 am
by yonosoy
A try; Google translation has been slightly adapted.



Nothing to lose.

In a small theater, the scene is presented without decoration, cast in black. An actor lends his voice; This is present without speakers or microphones, from behind the background of the set.


Act I

A voice;
Nothing in front
On one side, nothing.
To the other, nothing.
Nothing behind.

Shout: Nothing at all;
Nothing to gain.
Nothing to lose.

Act II

A voice and a light;
Nothing in front
On one side, nothing.
To the other, nothing.
Nothing behind.

Shout: Nothing at all;
Nothing of love.
Nothing of faith.

Act III

A voice, a light and a gift;
Christ in front.
On one side, You.
To the other, Me.
The world behind.

Shout: Nothing about nobody;
Nobody loved.
Nobody was.



Nada que perder.

En un teatro pequeño, se presenta la escena sin decorado, fundida en negro. Un actor presta su voz; esta se hace presente sin altavoces ni micrófonos, desde detrás del fondo del decorado.


Acto I

Una voz;
Nada delante.
A un lado, nada.
Al otro, nada.
Nada detrás.

Grito: Nada de nada;
Nada que ganar,
Nada que perder.

Acto II

Una voz y una luz;
Nada delante.
A un lado, nada.
Al otro, nada.
Nada detrás.

Grito: Nada de nada;
Nada de amor,
Nada de fe.

Acto III

Una voz , una luz y un regalo;
Cristo delante.
A un lado, Tú.
Al otro, Yo.
El mundo detrás.

Grito: Nada de nadie;
Nadie amó,
Nadie fue.

Re: h

Posted: Fri Sep 20, 2019 6:33 am
by yonosoy
Thanks fused, :).

An old one I´m trying to recover... strong photographic grain.

Interpretation of the spherical being.
Interpretacion_del_ser_esferico.jpg

Re: h

Posted: Sat Sep 21, 2019 2:17 am
by yonosoy
A wip study. Actually not the same moment (the water vapor is not the same in the two images).

The mystical body of the Son.
Cuerpo_mistico_del_Hijo_wip.jpg
Canvas texture.
Cuerpo_mistico_del_Hijo_canvas.jpg

Re: h

Posted: Wed Sep 25, 2019 9:42 am
by yonosoy
3K. 28 h. A bit denoised.
One last step remains with Substance Designer ...

Systematic.
Sistematico.jpg

Re: h

Posted: Thu Oct 03, 2019 6:03 am
by yonosoy
An approximation.
HD, 10 h, 36 mm film (let's assume that it is analogic). MLT Bidir. Linear tonemapping. Photographic grain.

An Olympus 150 mm objective with 11 lenses (out of scale in this one).
Things got worse. It is really difficult to setup a camera.
It is possible to use a material coating for the lenses. Under investigation ... (it must be a coating indeed).
From here, the term synthetic photography begins to make sense.

Diaphragm don´t work as expected.
Aperture difraction don´t work as expected.
Always getting an hyperfocal version (let me try with shorter objectives more over)...

Same scene!!! Lazy of me :).

Re: h

Posted: Mon Oct 07, 2019 11:20 pm
by yonosoy
16: 40h.
Anti-reflection coating.
I have to improve the accommodation for the lenses, they are currently modeled by precedence and shed improper brightness.

Olympus_150mm_B.
Olympus_150_mm_Houdini.jpg
Olympus_150_mm_B.jpg

Re: h

Posted: Sat Oct 12, 2019 12:56 am
by yonosoy
Much more correct. 13:30 h.
Orthogrephic camera sensor 35 mm ... (full format).
Corresponds to 162 mm focal length with the indigo camera.

If I had been more attentive I would have removed the radiator from the image.
Rotated, is more attractive.
The signature of the lens glare is a little odd.
Added very subtle photographic grain, as is not finished at all.

A valious image for me.

Olympus_150_mm_22.
Olympus_150_mm_22.jpg

Re: h

Posted: Sun Oct 13, 2019 5:29 am
by yonosoy
Path tracing. 2:36 h. 950 samples / pixel. 4K.

The Moon trough atmosphere.
The Moon.jpg
MLT bidir. 96 min (without oceans for Earth). One LUT is very crisp, the other ultra soft. Metropolis residual noise.

Take 2.
The Moon_trough_atmosphere.jpg
PD: At the moment (Indigo 4.4.1), the atmosphere material don´t works for me with the extra-atmospheric sun. Works with a perfect sphere as sun. The used solar spectrum is not so accurate and beautiful as indigo´s one. But is possible...

The problem is obviously the extra-atmospheric sun. When it is used whit atmosphere (and something more than two perfect spheres for earth and atmosphere are in the scene) the memory increased till indigo crash, or simply don´t sample.

Re: h

Posted: Sun Oct 13, 2019 6:36 am
by yonosoy
30 h. MTL bidirectional. 3k. Photographic grain.

The Ring.
anillo.jpg
Beginning to appreciate how strongs are usually the blacks and the color in the work ... :)
La_solución_al_Laberinto.jpg

Re: h

Posted: Tue Oct 15, 2019 1:01 am
by yonosoy
Diafrprhagm animation in a dark room with lenses. MLT bidir, 120 spp.
Maybe to do something else in the future... atm only exploring.